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FW24
For my first collection produced for the Japanese market, I revisited two looks from my graduate collection and reworked them into a single, more wearable silhouette—merging conceptual strength with everyday functionality.
The pieces retain their original structure and proportions, but have been refined for wearability and consistency in fabrication. I used three different types of wool to subtly differentiate volume, weight, and movement across the garments, allowing each look to carry its own tone while maintaining cohesion.
The key garments—pleated wool skirts, structured biker jackets, and leather accessories—draw from religious dress, traditional tailoring, and restraint-based elements, referencing themes of discipline and control. While the collection was deeply rooted in personal and cultural symbolism, it was designed with clarity and modularity to resonate in a retail setting.
All pieces were handmade in Paris, using deadstock and natural fabrics sourced in Europe.
For my first collection produced for the Japanese market, I revisited two looks from my graduate collection and reworked them into a single, more wearable silhouette—merging conceptual strength with everyday functionality.
The pieces retain their original structure and proportions, but have been refined for wearability and consistency in fabrication. I used three different types of wool to subtly differentiate volume, weight, and movement across the garments, allowing each look to carry its own tone while maintaining cohesion.
The key garments—pleated wool skirts, structured biker jackets, and leather accessories—draw from religious dress, traditional tailoring, and restraint-based elements, referencing themes of discipline and control. While the collection was deeply rooted in personal and cultural symbolism, it was designed with clarity and modularity to resonate in a retail setting.
All pieces were handmade in Paris, using deadstock and natural fabrics sourced in Europe.
